Saturday, May 5, 2012


Where have I been? How did I get so interested in Silk and Supper? The following is a quick chronological recount of the ventures that have gotten me so involved with agriculture, food, and art. Each of these overviews could be filled with its own blog full of pictures, stories, and hilarious capers, many of which I will touch on as the blog goes on. This is meant to be a quick overview to set the story when I refer to Mexico, Brattleboro, and some island.
It began at UMass Amherst. UMass has a lovely program where students can design their own major, should the 88 majors that are offered not quite suit them.  I designed my studies and took classes in Plant and Soil Sciences, Political Science, Economy, and Anthropology. I got to narrate and name my major, which is why my major is called…wait for it…Humanism through Sustainable Agriculture and Experiential Education.
I would write lofty papers about socioeconomic issues of agriculture by day. And, as Eisenhower said “Farming looks mighty easy when your plow is a pencil and you're a thousand miles from a corn field” My lessons got more challenging, and more rewarding, away from the books and around actual food.  I got a job, to put a dent in my college bills, at a collectively run vegetarian restaurant. That’s where I learned anthropology through consensus based business, economy through paying a fair price to our producers while keeping our prices accessible to students, political science through navigating a way to evade our school exclusive contract with Sedexho and get small vendors, and plant and soil sciences through the trial and error of growing our own kale. It’s also where I got hooked, not just intellectually, but viscerally, on food production. It where I experienced the challenges, and the rewards, in flavor and fun.

College students need a summer job, too. I got one on a tiny island off the coast of New Hampshire.  It’s a rustic summer retreat center with a hotel built in the eighteen hundred. The staff of 100 live in the top floor of the hotel, and 400 guests come out weekly for their conferences. With my restaurant experience, I got to work in the kitchen.

Star Island is often environmental by necessity. Throwing things out mindlessly is not an option when any waste has to be hauled off the island in our little lobster boat. The island produces its own power, and it’s own drinking water from sea water with a reverse osmosis machine. They are treated like the limited resources they are-most faucets provide cistern water, with a few special faucets for drinking, and the toilets run on salt water.  A yearly practice is knocking the barnacles out of the toilet. I was also trained as a firefighter, along with many employees. If your hotel from the 1800’s catches fire, you don’t want to wait around for the mainland firefighters.

I on went to Costa Rica for a Spanish Intensive with a program focus on community development. I began learning Spanish and got to visit those big industrial pineapple and banana plantations.

I then participated in Kripalu Yoga Centers’ amazing volunteer program. I chopped kale and tofu, and sorted beans, in exchange for lovely housing and all the yoga classes I could attend.

From there, I did a season with the Farm and Wilderness Foundation, as the retreat center host and chef for their farm summer camp for girls.  We had fresh milk and the most beautiful eggs.  The summer season culminated with a feast entirely prepared from the produce from the farm -bread from the wheat, fresh herbed zucchinis and eggplants, and chicken. One of my favorite food memories is slaughtering, cleaning, and cooking a flock of chickens with fifty sassy twelve year old girls. Anne, my retreat center partner in crime and I, would avidly study cookbooks and run out to the gardens to harvest the vegetables we were learning about.

After that season, I worked at my highest paying job to date. As a chauffeur. I learned about the real importance of inherently rewarding work, which I was not getting. I left, to return to Star Island and work as the baker.

At the end of that season, I went on to Mexico to participate in WWOOF (Willing Workers On Organic Farms) in Mexico. I traveled from Chiapas to Morelos, working on farms. Organic farming is in a very different state in Mexico than in the U.S. They do not need to worry about Whole Foods co-opting any movement, to say the least. However, the small farms run by Mexicans are bursting with vibrancy and the "we have no money so we have to think" mentality. I helped re-inhabit the abandoned mansions of the former presidents cousin. The mansions (3 of them, with a total of 45 bedrooms) were built illicitly with embezzled government funds during an economic recession. After the president was deposed, his family beat a hot trail out of there, and the mansions stood vacant for 15 years. The farmer and organizer petitioned the city, saying that since they were actually built with  the peoples money, they should be for the people. They handed them over to him, and said-"go ahead and try"  He was in the early stages when I worked with him-planting cucumbers and raising bunnies. Part of my purpose was just being a person in the mansion and convincing the stubborn bats that lived in my bedroom that they should find another home. When he heard that I could slaughter poultry, he had his workers chase down one of his very free range ducks. They presented it to me in a sack and asked me to make Christmas dinner.

From Mexico, I returned to Star Island, in the incarnation of the head chef.

At the end of the season I moved to Brattleboro, Vermont. I began working at Real Pickles.  Real Pickles makes gloriously delicious fermented vegetables from local farms.  I learned the magic of lacto-fermentation.  This is where I became infatuated with feltmaking.  See older posts for examples of feltmaking. As a quick overview it’s creating permanent fabric using the magical qualities of animal fibers. Felting, like cooking, is a creative yet functional activity that is based around farmed materials. I looked for both food and fiber that would surprise me and let me interact with them playfully. Hence silk and supper.


From there it was a fateful Craigslist ad taking about cooking seasonal food and friendly kitchen environment that brought me to the Putney Inn to work with Chef Ismail. We immediately began exploring local farms and ingredients.  Our duties to prepare food were always part science and art adventures. Amongst many, many other things, I learned to make ice cream, break down rabbits and fish, smoke pheasant and eggs, to plate food with aplomb. This is also when I got smitten with another artistic pursuit photography. I hauled my DSLR camera to work, and we quickly took many pictures of each plate, playing with the camera settings, before sending the food out, often to the vexation of the waiting waitresses.


The following summer, Matt and I went to work on his family farm.  His great grandfather farmed chickens there, but it has been a gentlemens farm for the past two generations. We began to rebuild the infrastructure- putting in perimeter fencing, irrigation, and hoop houses.  We lived in a former chicken coop (for 1,000 chickens) that has been converted to a rustic house. Occasionally, though, the chickens would come over for a visit:

From there, I joined my sister Madeline for and apprenticeship at Prodigal Farm, a new goat dairy in Durham North Carolina. I got to feed those hungry, growing baby goats (113 of them) their formula for all three meals. I also milked the does, and made French style goat cheeses and sourdough whey bread.It's true, goats are smart sweethearts, and working with them, even for 16 hours at a time, is inherently rewarding.

While looking through my photo cache of adorable baby goats, I came across this one. 

It’s one small pile of cheese molds, waiting to be washed. I printed it for the owners, with the caption: “Beyond the mountains, more mountains. Blessed are the cheese makers.”T When the owner was asked what surprised her most about starting a dairy; she responded “I didn’t expect all the dishes.” Though there is a disproportionately huge stack of dishes in cheese making, each adventure I have mention has a stack of dishes behind it. This morning, while bleaching the baseboards of the kitchen, I was mulling over how easy it is to share pictures and stories of baby goats and perfect sorbets without mentioning those hours of cleaning. Doing what I love is so much like being in love with a person: I just do love the whole thing, the good and the hard, the fun and the tedious, the beautiful and the dirty, because it’s all part of it.
I simultaneously worked at an artisanal cheese shop in Durham, where I tasted the most glorious cheeses of my life and absorbed information on all things cheese.
Now I am hard at work on bringing a restaurant into the world. It’s a restaurant for both silk and supper! The Gleanery concept is that everyone involved loves what they do. It’s a place for me to be a blossoming feltmaker and a knowledgeable chef, a place for me to learn more about enchanting crafts like woodworking from our table makers, and a place to teach what I know.

Thursday, April 28, 2011

Bags! Bags! Bags!

For the first time ever, I saw someone else felting. Not only that, it was Andrea Graham, felting genius. I essentially study her blog every week and wonder how she does what she does, so I took advantage of living an hour from New England Felting Supply and participated in a workshop of hers titled bags with three dimensional elements. The week before the class, I decided to gear up by making a bag of my own. Since I already have so many bags, I decided to make one of my favorite accessories seen in Mexico, the bag-belt hybrid. They seem so convenient, never falling off of your shoulders, waiting patiently with their contents so close to your hands. I think the most important lesson I learned in this attempt is to lay it out more carefully. The belt spread out when I wet it down, making it longer and thinner. No matter how I pummeled this bag, it has remained stubbornly three inches too big for me. I made this bag all in one go, belt and pouches, but I learned tactics in the class for making the straps (or belt in this case) separately and felting them in this project would have also allowed for more control in the end size. I do like the effect of the jewelry embellishments, it's a multilayer necklace embedded in one of the straps.



The class was a wonderful whirlwind of bag technique instruction that I can now practice at my leisure. I had been planning on making it for a friend to be determined later, but wound up liking it so much that I kept it for myself, and its quickly become my go to bag. I was really excited that the technique for making little bubbles and nests on the surface of bags was revealed within the first five minutes of the class. I have read in felting books that the technique for seamless felting is to lay out one side, wet it out, and then lay out the other side, i don't like trying to lay out the dry wool in the presence of wet wool, so I've always disregarded this advice. The class taught me the proper technique for laying out one side at a time which does involve a finessed flip at one point. It also results in much stronger, more even sides.




Emboldened with my new knowledge, I set out to make a knife bag for Ismail. It ended up being only one layer of resists, because the bag rolls up for closure, but is is six resists that had to be accurately sized. I took home his knives and cut the resists to 1.5 times their size in length and width. I embedded them in layers of Corriedale and Pelsull wool, turned on This American Life, and felted away.



Two episodes later I was ready to start shrinking.



I had to be really careful not to slice the bag or my fingers. Actually, when cutting the hole to tie the strap in, my scissors couldn't make the cut so I used one of the ultra sharp knives and sliced the corner right off, as well as a piece of my finger. The bag rolls up nice and tight through, and unfurls nicely to reveal the knives. I'll make one for myself once I have a respectable knife collection of my own.


I attached a handle along with the wrap around cord to make the whole thing easy to carry.